Everloving

Developed during the residency at Rocaumbert F.A., the project starts from specific letters to test how far typography can lose legibility without losing identity. Each piece occupies that unstable threshold between sign and object, between alphabet and digital sculpture.

The series does not aim only to represent letters, but to submit them to processes of deformation, light, materiality, and surface behavior. The result is a set of images and animated tests where typographic form behaves like a living structure: it bends, thickens, and transforms until reading becomes more physical than verbal.

Everloving treats the letter as a field for plastic experimentation. Rather than presenting a closed alphabet, it opens a visual research space where each character becomes an excuse to test new relations between volume, abstraction, and typographic memory.